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    • 2018 - Present
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    • 1986-2000
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Sono Osato

Sono OsatoSono OsatoSono Osato

Artist

ArtistArtist

Diluvia 2

triptych

tinted rabbit-skin glue ground & oil on panel

 10"x24"

2023

Diluvia 3

tinted rabbit-skin glue ground & oil on panel

36"X 36"

2023

Diluvia 4

tinted rabbit-skin glue ground & oil on panel

48"X 48"

2022


Diluvia 1

triptych

tinted rabbit-skin glue ground & oil on panel

30"X 72"

2021


Diluvia 1 - Time-Lapse

Diluvia Drawings

Diluvia Study #18-TIME-LAPSE

Tel-Quaramel

tinted rabbit-skin glue ground & oil on panel

30"X 72"

2020


Tel Qaramel - Time-Lapse

revenant scroll

Revenant Scroll

 

pigment inkjet print on Hahnemühle photo rag, shadowbox maple frame 

6”X54”

2020


Revenant Scroll Stills

Revenant Scroll Statement


The Revenant Scroll is a sequence of stills taken from a road movie I made with a Paillard Bolex Regular-8 handheld camera while crossing the country from NYC to SF and back. I titled it Revenant.


The movie is a double exposure. I shot one roll of film per day for five days without looking though the viewfinder on stochastic impulse, while simultaneously keeping one hand on the wheel as I crossed thr country East to West. Then I reshot each role in reverse sequence while crossing back. 


The sequence of the film follows the rolling road with each frame containing a distance of 3000 miles (roughly the width of our country if you drive straight across it). Imagine opposite ends anywhere on a rotary track. In other words, each frame contains the entire breath of our country collapsed into one moment. It’s through this entrelineas that the land began to speak me, like a revenant. 


The conceptual construct of the scroll combines the connotation of a spiritual script, the formal references of an exquisite corpse, (there’s a thread of stratum that traverses the scroll), the Beat undertone of Keroac’s On the Road, (the images are stream of conscious, rough, and unmediated), and the role of the road embodied by the role of film.

Revenant movie


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